TIME AND LOCATION:
Thursday, December 11, 2025, 13:30 – 17:00
Witten/Herdecke University 
New building, room E.022 a/b 
Alfred-Herrhausen-Str. 48 
58455 Witten

and online via Zoom. Registration here. The event language is English.


The fourth edition of the series “Reading Artists’ Books” presents publications from the 1960s to the present that have critically reflected on computational thinking—that is, ways of thinking shaped by computer-based and algorithmic processes—or that have relied on computer technologies in their making. Already in the 1960s and 70s, artists and theorists were asking whether computers could expand or even replace human creativity, how algorithmic tools might reconfigure artistic roles, and who would have access to these emerging technologies. These questions, first raised over half a century ago, are resurfacingtoday with renewed urgency in the context of current debates on artificial intelligence. Publications such as Alison Knowles’s “A House of Dust” (1969), Stanley Brouwn’s “100 this-way-brouwn-problems for computer IBM 360 model 95” (1970), and Manfred Mohr’s “Artificiata I” (1969) demonstrated how concepts of chance, computational iteration, and algorithmic logic were translated into the analogue medium of the artist’s book—often coupled with a critical reflection on the promises and limits of digital technologies.
The event is dedicated to Alison Knowles, who passed away in October 2025 at the age of 92 in New York. It takes place within the framework of the Studium Fundamentale at Witten/Herdecke University and connects to ongoing discussions within the Centre for Advanced Study “Access to Cultural Goods in Digital Change” at the University of Münster. Shinji Toya’s (London) contribution exploring digital obsolescence highlights the fragility of network-based artworks and digital infrastructures. “Computers at Work. About Women in Computing” (2019) by Sophie Rentien Lando addresses the role of women in computing history, recalling that, in the early days, “computers” referred to predominantly female workers who performed complex calculations by hand. Gloria Hasnay (Düsseldorf) will discuss her publication “Key Operators. Weaving and Coding as Languages of Feminist Historiography” (2024), accompanying an exhibition of the same title at KunstvereinMünchen. Finally, Jonathan Harth (Berlin/Witten) explores the famous notes of British mathematician Ada Lovelace, widely regarded as the world’s first computer programmer.
The program brings together artists, theorists, publishers, and curators who will introduce selected publications in relatively short presentations (10–15 minutes each), among them art historians Hannah Higgins (Chicago), Margit Rosen (Karlsruhe), Ursula Frohne (Münster) and Constanze Fritzsch (Florence); literary scholar Frank Fischer (Berlin); designer and programmer Jürg Lehni (Zurich); and artists Antye Guenther (Rotterdam), Andreas Bülhoff (Hamm/Berlin), and Rodrigo Araya Yáñez (Santiago de Chile). 
The event will be held in English.

Reading Order:
13:30 | REGINE EHLEITER (on-site): Introduction to the event, followed by a reading of Stanley Brouwn,” 100 this-way-brouwn-problems for computer IBM 360 model 95” (1969)

13:45 | FRANK FISCHER (online) reading Nanni Balestrini, “Tape Mark I” (1961)

14:00 | CONSTANZE FRITZSCH (online) reading A.R. Penck, “Ich-Standart-Literatur“(1971)

14:15 | ANDREAS BÜLHOFF (on-site) reading “Reading Writing Interfaces – Word, InDesign, TextEdit” (2022) 

14:30 | JÜRG LEHNI (online) reading “Things to Say” (2009), “Empty Words” (2011), “News” (2011), and “Research Notes” (2011)

14:45 | ANTYE GUENTHER (online) reading “The Beheading of the Fruit Fly? (How will I know if you are truly a sentient being?)” (2022)

15:00–15:30 | Coffee break

15:30 | URSULA FROHNE (on-site) reading Lucy R. Lippard’s contribution to “Information”(MoMA, 1970)

15:45 | HANNAH HIGGINS (online) reading Alison Knowles, “A House of Dust” (1969)

16:00 | RODRIGO ARAYA YÁÑEZ (online) reading “Entreactos. Ordenadores y sirvientes”(2014–19)

16:15 | GLORIA HASNAY (on-site) reading “Key Operators. Weaving and coding as languages of feminist historiography” (2024)

16:30 | JONATHAN HARTH (on-site) reading Ada Lovelace, Notes to her translation of Luigi Menabrea’s “Sketch of The Analytical Engine Invented by Charles Babbage” (1842)

16:45 | SHINJI TOYA (online) reading “3 Years and 6 Months of Digital Decay” (2016)

16:45 | Drinks Reception

Prerecorded videos available online through the project’s Vimeo archive: 
– MARGIT ROSEN reading Manfred Mohr, “Artificiata I” (1969)
– STUDENTS reading Sophie Rentien Lando, “Computers at Work. About Women in Computing” (2019) 

The event was organized by Regine Ehleiter, Postdoctoral Research Associate at the Chair for Digital Arts and Cultural Communication at the WittenLab. Future Laboratory Studium Fundamentale at the University of Witten/Herdecke and Senior Fellow of the Centre for Advanced Study Access to Cultural Goods in Digital Change, in cooperation with the Office & Network for Media Art and Digital Culture medienwerk.nrw and the Centre for Advanced Study Access to Cultural Goods in Digital Change at the University of Münster. The Centre is funded by the German Research Foundation (DFG).

The Reading Artists’ Books series was initiated by Regine Ehleiter and Tabea Nixdorff (Arnhem) in memory of Chicago-based curator and librarian Doro Boehme (1957–2020). It offers a public platform for artistic publishing practices through collective reading and lecture formats. Previous editions have focused on publications as a medium for presenting artistic writing practices (HGB Leipzig, 2022) and on “asemic writing,” inspired by the works of Argentine conceptual artist Mirtha Dermisache (Freie Universität Berlin, 2024). Recordings of previous events are available on the series’ Vimeo channel.

WEBSITES: 
https://www.uni-wh.de/en/reading-artists-books-problems-for-computer
https://www.uni-muenster.de/KFG-Zugang/en/veranstaltungen/2025rab.html

The work of medienwerk.nrw is funded by the Ministry of Culture and Science of the State of North Rhine-Westphalia, on whose behalf it undertakes coordination, professionalization, and advisory tasks in the field of media art. The medienwerk.nrw office is based at HMKV Hartware MedienKunstVerein in Dortmund.

Friday, October 24, 2025 – 11:00 a.m. to 10:00 p.m.
Saturday, October 25, 2025 from 11:00 a.m. to 10:00 p.m.
In cooperation with: HMKV Hartwarte MedienKunstVerein, Academy for Theater and Digitality, UZWEI at the Dortmunder U
All events are free of charge.

In light of multiple crises, how can we still believe in the future today? The MedienKunstTage NRW 2025 explores this question with a program that brings together artistic imagination, technological criticism, and social visions. Under the title “More Future!”, the festival brings together positions that understand hope not as a naive attitude, but as a critical practice.

For over a century, technological progress has inspired utopias: networked societies, shared knowledge, free time, fairer opportunities. But the promises of automation, participation, and digital democracy seem to be increasingly evaporating. The belief that technology makes our lives better is being shaken—by political setbacks, ecological crises, and the concentration of power in the tech sector.

The MedienKunstTage 2025 counter this with an artistic and scientific search space: for new stories, rediscovered ideas, and other forms of coexistence. At the center is the thesis that we have lost the future—and that it is time to reclaim it. 
 
In screenings, readings, performances, talks, and workshops, we ask: 

More Visions. What dreams does art feed? 
More Critique. How do technologies and their providers threaten the future?
More Hope. Where can we find new optimism? 
More Endings. What must end so that something new can emerge? 
More Art. What is currently happening in media art in North Rhine-Westphalia? 
More Channels. How can we come together digitally in a different way? 
More Connections. What should the cultural networks of the future look like? 
More Sharing. How can we share knowledge sustainably?

More Future in the Sun! – We invite artists, scientists, and the public to join us in making the future (once again) conceivable.

With contributions from: Iuditha Balint, Sophie Emelie Beha, Jacob Birken, Elisabeth Brun, Nadja Buttendorf, Jamie-Lee Campbell, Dietmar Dath, Daniel Felstead & Jenn Leung, Theresa Hannig, Isabella Hermann, Laura Hille, Felix Hüttemann, Claude Jansen, Shuang Li, Gala Hernández López, Anna-Verena Nosthoff, Felix Maschewski, Lisa Panitz, Kameelah Janan Rasheed, Laurence Rassel, rendered realities (Agnetha Jaunich & Hendrik Lange), Sara Morais dos Santos Bruss, Vanina Saracino, Julia Scherzl, Ani Schulze, Nishant Shah, Jana Kerima Stolzer & Lex Rütten, Paula Maya Strunden, SOAP (Bettina Katja Lange & Uwe Brunner), Cornelia Sollfrank, Manuel Talarico, Maximilian Voigt, Nate Wessalowski, Ingo Wichmann